Dakota Johnson pulls no punches, labeling Hollywood as a disastrous mess due to its obsession with remakes and lack of creativity.
At a Glance
- Dakota Johnson criticizes Hollywood’s repetitive remakes and lack of originality.
- She attributes the problem to risk-averse studio decisions by uninformed committees.
- Johnson stars in “Materialists,” a new romantic comedy poised to challenge Hollywood’s status quo.
- Amid personal changes, Johnson questions societal norms around relationships.
Hollywood’s Derivative Culture
Dakota Johnson, outspoken as ever, critiques Hollywood for its rampant remakes and sequels. Her frustration echoes the sentiments of many, tired of seeing the same old stories rehashed time and again. Johnson claims the industry is a “mess” due to business-focused decisions made by people with little understanding or genuine passion for filmmaking.
Hollywood’s creative stagnation frustrates audiences craving fresh content, rather than recycled narratives. Johnson’s remarks call out the comfort zone of studio heads who prefer the supposed safety of proven formulas rather than taking a chance on originality. Yet, it’s clear, viewers are hungering for something truly new and engaging.
A New Direction
In response to Hollywood’s shortcomings, Johnson leads the cast of “Materialists,” directed by Celine Song. Slated for June 2025, this film might just stir the stagnant waters of mainstream cinema. The ensemble cast includes Zoe Winters, Marin Ireland, Dasha Nekrasova, and Louisa Jacobson, promising an engaging viewing experience. Song, known for her transition from stage to screen, receives Johnson’s high praise for her work. “I didn’t know I knew how to make a movie until I was doing it. And then I was like, ‘Oh my God, I’m going to do this until I die.'”
“I didn’t know I knew how to make a movie until I was doing it. And then I was like, ‘Oh my God, I’m going to do this until I die.'” – Celine Song.
“Materialists” aims to break the mold by offering original storytelling. Johnson herself is committed to films that prioritize creativity over financial certainty. Her upcoming projects with popular actors Chris Evans and Pedro Pascal validate her drive to champion innovative art. As Johnson critiques the industry’s creative crisis, she stands as a voice encouraging the celebration of unique and impactful narratives.
Reflections on Relationship Norms
Amid rumors of her split from Chris Martin, Johnson also takes on society’s perception of relationship norms. Speaking candidly, she questions why marital statuses and divorce receive such harsh judgment. In her view, these conventions need reassessment. “For a long time we’ve all been so quick to judge relationships or how they should happen, how they should exist in the world. When people should get married. Divorce is bad. All these things that actually, if you think about it, why is divorce bad?”
“For a long time we’ve all been so quick to judge relationships or how they should happen, how they should exist in the world. When people should get married. Divorce is bad. All these things that actually, if you think about it, why is divorce bad?” – Dakota Johnson.
Dakota Johnson’s insights are piercing, her candor refreshing. As we brace for further revelatory insights from “Materialists,” it is clear Dakota is not one to shy away from pushing boundaries, whether on-screen or in her personal life. Her calls for originality in storytelling, balanced with thoughtful discussion on societal norms, reflect a much-needed challenge to both the film industry’s status quo and our own social perceptions.
